Julien Berthier
L'invisible
2021, bateau, polystyrène, résine épo
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Le contre-don
Mi-HLM mi-Van der Rohe
Drag Then Expose
Public Thoughts
Concrete Romance
Rajouter 1 m à la tour Eiffel
Le déplacement
Accélérateur du mouvement de la tectonique des plaques
Air pur
Agrandir le bout du tunnel
Evité de peu
Another Bad Day
Échelle
Antiseismic House
Au fond de la photo
Aspirateur + pépite d’or
Autarcie
Self Destruction
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Autoroute rivière
La technocratie
Le balcon additionnel
La bande son du réel
Empty
Barbecue sculpture
Between Buildings I
Between Buildings II
Bientôt ici
Boisson gazeuse secouée pendant 120 mn
Bois + termites
Boom I
Boom II
Anti-Communication
Minimal Electric
Bulb Just Before Its Last Switch On
Build a House and Never Repair It
Bouquet de lampadaire
La cabane du fond de la poche
A famous bouquet
Calder de chantier
Suicide
Le centre de gravité
Chaise traduite en anglais
Aluminium Bench
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La solution au point de non retour
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Higher Mountain
L’horloge d’une vie de travail
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The Link
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Tree Protecting Tree
The Hole
Ha Ha Ha
- 2019, vidéo 0' 36''
Tuning Morelet
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Tatlin essayant de payer son repas
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Les monographies
Les chutes
News From the Real World
2:06
Boring
Street Painting
Overprint
Another Bad Day
Dessins post-opératoires
7 rue des Alouettes
Monumental Break
Waterside Plaza
Temps étrangers
5 secondes plus tard
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Portraits
Les corrections
Pigeonner
L’annexion
L’attente indéfinie
Lyn
Les malaxeurs cinétiques
Public Sculpture (A Musical)
Street Light
The Center of Fitjar
- 2012, performance et installation in situ
Tentative d'introduire une fiction local
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Dead Plastic Plants
La concentration des services
Ne pas laisser le monde aux mains des spécialistes
A LOST
Société Générale
Monstre
Monstres
Matière première
Pavés préhensiles
Balcon additionnel
L’horloge d’une vie de travail
Résidence secondaire
Self
Accidental Sculptures
Hypnos
Le paradoxe de Robinson
Chapelle
Left-handed Chair
- 2007, bois laqué, 76 x 74 x 115 cm
La Red and Blue Chair de Gerrit Rietveld conçue en 1918, de p
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Restore Hope
Les spécialistes
One of Them
Take a Chance on Me
Love Love
Il n’y a pas de hasard
Le mouvement perpétuel
Silent Sentinels
- 2005, technique mixte, 450 x 100 x 100 cm environ / Vidéo 10'
Ce la
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